8 new 4K Blu-rays from April 2026 to add to your collection | Daily Reports Online
Welcome to the April 2026 edition of the Blu-ray Bounty, where we check out the latest 4K Blu-ray releases from each month, assessing their picture and audio to see if they make a worthwhile addition to your 4K Blu-ray collection. This month is our largest list to date, with a whopping 8 discs.
If you want to check out previous editions of the Blu-ray Bounty for some disc recommendations, they can be found at the link. In last month’s March 2026 Blu-ray Bounty, I tested 6 discs: Wicked: For Good, The Running Man (2025), 3:10 To Yuma (1957), The Breakfast Club, The Man Who Wasn’t There, and Cutter’s Way.
We’re big fans of 4K Blu-ray here at TechRadar. It’s our go-to source for testing the best TVs and best soundbars, because it has excellent picture quality due to its high bitrate and uncompressed soundtracks. We’re also collectors ourselves!
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I won’t be analyzing the movies of these discs themselves: only their picture and audio to see how much they’ll show off your home theater setup.
Ben-Hur (1959) (Warner Bros.)
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One of Hollywood’s most iconic epics, Ben-Hur stars Charlton Heston as the titular Judah Ben-Hur, a former Jewish prince condemned to slavery after he is accused of treason. The story follows his quest for freedom and revenge on those who betrayed him. At the time of production, it was the largest-scale movie ever released, costing roughly $15 million ($170 million today).
Much like Lawrence of Arabia 4K from the February 2026 Blu-ray Bounty, Ben-Hur is a staggering 4K Blu-ray. The restoration here upscales textures to an almost modern-day look, with accurate, lifelike skin tones and refined details such as rocks, grass, and buildings throughout. Colors are rich and vibrant: from the reds of the Roman soldiers’ capes to the glorious blue sky, every color pops on screen.
There’s some nice brightness to this disc, too. Soldiers’ gold uniforms gleam in the sunlight, and the sand-colored buildings of Jerusalem dazzle without ever over-exerting the brightness. Even the movie’s darker scenes display rich blacks with powerful contrast. As the slaves row the ship, the dark tones of the walls contrast with the light from the torches beautifully.
Ben-Hur has received a serious audio upgrade as well as a visual one. The Dolby Atmos soundtrack does wonders for the bombastic and mighty horn-led score, which sounds clean, refined, and powerful. Surround channels come into play frequently, such as the hustle and bustle of the markets in Jerusalem or during the chariot races in the latter parts of the movies, with galloping hooves and the roaring crowd delivered with real precision. The hooves also make for a great workout for your subwoofer.
28 Years Later: The Bone Temple (Sony Pictures)
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The fourth installment in the 28 Days Later franchise, 28 Years Later: The Bone Temple, is a direct sequel to 28 Years Later and follows Spike (Alfie Williams) as he is indoctrinated into the cult of Sir Lord Jimmy Crystal (Jack O’Connell). Ralph Fiennes returns as Dr. Ian Kelson.
28 Years Later: The Bone Temple is a visual feast for the eyes. In daytime scenes, as characters walk through nature, colors like the bold, red flowers and lush green trees have some serious pop. Textures are 3D-like in appearance, with all the dirt, blood, and scars on Kelson’s body looking incredibly detailed and realistic. Highlights have some serious shine to them too, with Crystal’s gaudy gold chains looking suitably vibrant.
Night scenes look superb too. Blacks are consistently deep throughout and looked great on the G5 during my testing. Contrast is powerful, with any scenes involving fire balancing beautifully with the rich, black surroundings. Again, fire really showed off the punchy brightness in peak areas too.
Equipped with a Dolby Atmos soundtrack, 28 Years Later: The Bone Temple is a showcase for speakers. Moments of violence sound gruesome, with every hit, stab, and puncture given a skin-crawlingly realistic level of detail. The Atmos soundtrack is utilized well. As projectiles were fired during the barn scene, they seemed to come from all directions where I was sitting. Speech is crystal clear throughout, and don’t worry, Kelson’s pyre scene (which we won’t spoil) sounds excellent.
Hamnet (Universal Pictures)
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Hamnet dramatization of playwright William Shakespeare (Paul Mescal) and his wife, Agnes Hathaway (Jessie Buckley), as they deal with the death of their son Hamnet. Nominated for multiple awards, Buckley earned an Academy Award for her portrayal of Hathaway.
A gorgeous-looking disc, especially in Dolby Vision, Hamnet delivers some lovely visuals. Colors have some nice punch, such as Hathaway’s red/orange dress at the start of the movie, but also appear true-to-life, with the greens of the countryside around Shakespeare’s home, looking great. Textures are strikingly realistic, with close-up shots of people’s faces showing freckles, stubble, and aging lines with impeccable detail.
Darker scenes look great too. As the family eats dinner at night, the black surroundings are deep and balance nicely with the flame of the candles on the table, creating a strong contrast and casting strong shadows.
Hamnet has a Dolby Atmos soundtrack and makes use of it. The score throughout sounds excellent, with the opening choral track filling our testing lab nicely, and the melancholic strings sounded refined throughout. Dialogue is consistently clear, and there are some good Atmos scenes, with scenes in the forest featuring birds flying overhead utilizing height channels.
Marty Supreme (A24)
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Marty Supreme is the story of Marty Mauser (Timothée Chalamet), a table tennis player in the 1950s who vies to become world champion. The character of Mauser is loosely based on real-life US table tennis player Marty Reisman.
Marty Supreme looks great in 4K. The movie’s table tennis tournament scenes demonstrate strong contrast between the lit-up tables and players and the crowds, who are encased in deep shadows. Colors can also look rich, whether it’s the bright red of the paddles or the sometimes bold 1950s aesthetic, namely loud-looking greens and pinks. Textures look both crisp and true-to-life, with stubble, wrinkles, and hair looking refined.
This disc’s Dolby Atmos soundtrack has plenty of fantastic moments. Any scenes involving ping-pong are accurately mapped, with a strong connection between the sound and the action on screen and pinpoint directionality. One scene where Marty plays in a bar delivered great surround sound, with the rattle of ping pongs coming from the rear speakers as Wally (Tyler, The Creator) talks to another patron. The movie also features notable tracks from the 1980s, such as Alphaville’s ‘Forever Young’, and all of these sound authentic and engaging.
Gilda (The Criterion Collection)
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Another iconic movie of Hollywood’s Golden Age, Gilda follows the story of Johnny Farrell (Glenn Ford), a card counter who begins to work for casino owner Ballin Mundson (George Macready). Mundson returns from a trip abroad with a new wife, Gilda (Rita Hayworth), whom Farrell recognizes from his past. This movie was a star-making turn for Hayworth.
Gilda is yet another home-run restoration from Criterion Collection. Textures have been cleaned up beautifully to look more refined and crisp, which is especially apparent in people’s skin. Contrast is great with deep dark tones and bright white tones and there’s a great range of gray tones in between. Cinephiles will be happy with the level of grain included, but make no mistake, this is a very clean 4K restoration that looks top-notch.
This disc only supports a monaural soundtrack, but dialogue is crystal clear throughout, and sound is accurately mapped. Shattering glass, bullets, and the hubbub of the casino all sound great. Musical sections also sound very good with a nice balance and strong detail. Not a showcase soundtrack for a home theater system, but very well cleaned up.
Crime Story (88 Films)
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Crime Story is an action-thriller starring Jackie Chan as Police Inspector Eddie Chan, who is tasked with finding missing businessman Wong Yat-fei. His journey takes him from Hong Kong to Taiwan, where he encounters powerful mobsters. The film is based on the real events surrounding the kidnapping of businessman Teddy Wang in 1990.
This 4K restoration from 88 Films is excellent. The picture has been cleaned up to deliver crisp textures that appear lifelike throughout. There’s a nice mix of scenes to show off all aspects of a display, from the punchy colors of the neon-clad Taipei markets to the shady, shadowed rooms where gangsters hang out, which deliver a strong contrast with deep black tones. Film grain fans also need not worry, as there’s a healthy amount maintained as well.
There are both Stereo 2.0 LCPM and DTS-HD 5.1 soundtracks on offer here in both the original Cantonese and suitably overacted, cheesy English dub. I opted for the Cantonese 5.1, and as you’d expect from an action-packed Jackie Chan movie, there’s a lot going on. Explosions and gunfire deliver plenty of meaty bass with serious impact, and ricocheting bullets are accurately mapped to a nice, wide soundstage. Dialogue is very front-end in the 5.1 mix, sometimes at the expense of other elements, but it’s always clear.
The Devil’s Backbone (Studio Canal)
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Directed by Guillermo del Toro, The Devil’s Backbone is a Spanish gothic horror movie that follows the story of a boy who finds himself in an abandoned orphanage at the end of the Spanish Civil War. The orphanage is haunted by a recently deceased boy.
The picture quality of this restoration from Studio Canal is fantastic. Daytime scenes have a stunning brightness to them, with accurate color reproduction of the beige sands of the desert surrounding the orphanage, while instances of red really pop on screen. Night sequences have excellent black depth, balancing well with the light from the moon or candles as they creep into the darkness.
There are both DTS-HD 5.1 and 2.0 LPCM sound mixes. I used the DTS-HD 5.1, and it’s brilliant. Everything sounds natural, especially the dialogue. The score is consistently strong and presented with real clarity, particularly during the movie’s more eerie scenes, accurately delivering the chill factor. Moments of impact, such as punches and door slams, deliver deep, engaging bass. Overall, an excellent sound mix.
The Blade (The Criterion Collection)
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A wuxia movie (a genre based around the adventures of martial artists in ancient China), The Blade tells the story of Ding On (Vincent Zhao),a factory worker who learns martial arts to seek revenge on his father’s killer.
The Blade’s picture looks stunning and is yet another awesome job by Criterion. Colors are bold and vibrant throughout, but also appear natural. This can be seen in the movie’s many fight scenes, where different color filters are used to create striking, dynamic images, and other colors, such as blood and costumes, pop. There are a good number of high contrast scenes where the light from torches balances well with the rich black tones. Textures have also been refined, with skin tones and textures in particular looking very natural.
This disc only supports a monaural soundtrack (both in the original Cantonese and a dubbed English track), but it delivers clear dialogue that’s well balanced with other effects. The movie’s many fight scenes have plenty of impact and accuracy, with the clashing of metal blades in particular sounding satisfying punchy.
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